Maurice (O'Toole) and his friend Ian (Leslie Phillips) are two classy curmudgeons whiling away their hours in coffee shops and at the theatre, but their routine is thrown for a loop when Ian's niece's daughter Jessie (Jodie Whittaker) is sent from the country to act as his nurse. Jessie shows up on the scene sullen and pouty, immediately drinking all the liquor in the house and slouching her way from room to room. But Maurice befriends her, taking her to museums and getting her a gig as an art model, and along the way he openly expresses the lust she has awakened in him. Jessie's brash rejections of his affections are at first as amusing as they are awkward. When she starts to allow him small pleasures--like kissing her bare shoulders or caressing her hands--the film enters into some uncomfortable, complicated territory, but it is deftly navigated by Hanif Kureishi's sharp screenplay, and O'Toole's heartbreaking performance.